The “Region List” shows only the regions that are used in the current snapshot. The secondary function of the region list (showing the source files for every region) has been moved into its own dedicated section, the “Source List” The “Region List” has been redesigned to show only the regions actually in use in the current snapshot. In addition to the existing region splitting action (with the 's' key), a Cut/Scissor tool is provided similar to those used in other DAWs. The active synchronization source can be selected on-the-fly. All potential timecode sources are now displayed on a single window, each with its current timecode location. Mixbus can now record while chasing external timecode sources that are varispeeding (playing faster or slower than 100%). (pre-configured templates coming soon)Įnhanced transport syncing with varispeed recording It is possible to remotely control foldback mixes from a tablet or phone application running TouchOSC or Lemur. Monitors that meet our minimum recommendation (1200 pixels height) can still show the full 32C channelstrip, as in v5.įoldback buses are used to create headphone mixes for your performers.Ī foldback bus can combine any mixer strips, either pre- or post-fader, into a stereo cue feed.Įvery foldback bus has its own plugins and fader, allowing you to create a complete custom sound for each artist. Just click to show the section that you are working on or hide all 3 to maximize the available plugin space. On smaller monitors, the EQ, Sends, and Input/Record sections may be individually shown or hidden. Show & hide the EQ, Sends, and Input/Recording sections This permits mix buses 9-12 to be used as dedicated effects send buses, or as matrix outputs. Mix buses 1-8 can now be directly routed to mix buses 9-12 with independent level control (and independent pan as well if desired). You may override this on a per-track basis and choose to monitor the Input or Disk, only.Īudio tracks can now monitor both the input and disk simultaneously, when rehearsing a punch-in, for example. Plugin Delay Compensation (PDC) can now be disabled when you want the shortest path from input to output (when playing through a virtual instrument, for example).īy default, MIDI tracks will now monitor both the “Input” and “Disk” when they are in automatic mode. And these buses are now fully latency-compensated just like the regular mixbuses>master path. In addition to the Harrison Mixbus console (which has always been latency-compensated) it is now possible to add additional buses alongside the tracks, which can be used for additional grouping, fx sends, and other tasks. The v6 release involves several deep improvements in the 5th generation Mixbus engine: plus hundreds of additional fixes and improvements! Scroll down to see some highlights! Foldback buses allow the building of unlimited custom cue mixes for artists. The EQ, Sends, and Input/Recording sections can now be shown&hidden, allowing Mixbus32C to fit on smaller monitors.Dedicated FX buses: Mixbuses 1-8 can now assign to mixbuses 9-12, permitting their use as dedicated FX buses or matrix outputs.Harrison 5th generation Mixbus processing engine with many improvements including smoother operation, extensive latency compensation, and cue-monitoring (the ability to hear live input and playback at the same time on a track). Pictured: Harrison's 32C Hardware Console, circa 1975
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